CABARET DE L'EXIL Portrayed by Alfons Alt   Total adventure in the heart of an ageless story; for almost forty years, Zingaro has continued his theatrical journey. To offer oneself to the public on horseback is to speak with them; invent an immemorial language ... An exchange beyond words, when the language of men is led to disappear and be reborn with the winds of history.   Exile almost always leads to the enrichment of one's own roots, it imposes a rebirth, a detachment from one's ancestral ties. Receiving this new sap requires courage and openness. This first "Cabaret of Exile" celebrates Yiddish culture and its klezmer music; a nomadic world in reference to the perpetual uprooting of the Jewish people. Yiddish, the language of exile par excellence, is today a dying language that may one day be reborn. As Bashevis Singer said with his devastating and devastating humor, when presenting his Nobel Prize for Literature: “I am often asked why I write in such a dead language. Why ? Because I believe in the resurrection. Not just in the resurrection of tongues, but in the resurrection of men. A dying tongue… perfect for those who are neither alive nor dead: ghosts! Nothing fits a ghost story better than a dying tongue. The more the language is dead, the more the ghosts are alive. "   Inspired by the bestiary of this "Cabaret of Exile", Alfons Alt reveals beyond nostalgia, which crosses time to imprint our souls, a real resurrection.   BARTABAS

"Entretiens Silencieux" was performed at the Equestrian Academy of Versailles in July 2021, in collaboration with Paris l'été festival and Festival d'Automne. Jean-Louis Sauvat sketches.

«C'est ce soir-là, après avoir copieusement arrosé l'arrivée du nouveau venu, que nous avons décidé dans l'euphorie et à l'unanimité de le baptiser Zingaro. Il endosserait le nom de notre théâtre équestre et musical, premier nommé il donnerait à la troupe sa descendance. Plus tard, tandis que la fête se répandait dans la nuit et que s'épanchaient les cœurs imbibés, je me suis surpris, comme souvent, à ne plus trouver ma place. J'éprouve dans ces moments le besoin de me retirer ; de m'évaporer sans au revoir ni salut. Je suis allé le rejoindre dans son box, je n'ai pas allumé, je me suis glissé dans son antre comme on se glisse sous les draps de l'amante endormie. Il était couché sur le flanc gauche, je me suis assis près de lui, il a tourné la tête vers moi sans se relever, un peu étonné de me voir, comme sorti d'un songe. Cette nuit-là, nous avons fait un pacte : j'allais contaminer son animalité et il allait me permettre d'exister parmi les hommes. Aux humains de mon espèce, nous allions nous révéler. Pour la vie.»   Publisher : GALLIMARD (February 6, 2020) Paperback : 320 pages

This set was published on the occasion of 10 years of the equestrian Academy of Versailles. He contains: Rosita Boisseau's foreword. The portfolios of 10 creations of Bartabas for the Academy as well as 5 DVD: the Way of the rider - The knight of saint George - Travels in Courteous India - equestrian Recital - equestrian Partitions - night mares - equestrian Liturgy - equestrian Charivari - We were horses - The Time in front of one 2 virgin pads - 6 postcards - 3 posters

(A trip at Zingaro) Emmanuel Michel retranscribes the wings of a lifestyle, in the form of drawings, paints, photos and testimonies of the men and the women who make Zingaro today, this timeless magnificent adventure … Book of 240 pages, 26 cms x 26 cms, 38 € - Editions Jarkhot 2016.

It is the genius of the place that inspires Bartabas, it is him who decides on the show, on the representation, even on the ceremonial to be spread. So the choreography, the music and the singings given in Rouen will not be taken back on another scene or an other one places. Book + offered DVD

Bartabas signs a " Manifesto for artist's life " and invites 12 personalities to speak about it by his side. Far from the idea of Bohemia, this Manifesto for artist's life bases on the strong idea of the artistic commitment. It reveals how and to what extent the dedication of an artist to its work can modify its way of life, its daily life, its private life. This artistic commitment at the same time physical and spiritual implies an ethics on a daily basis, an investment without concession. This artistic commitment influences the lifestyles of the artists and their production, each in their own way.

Portrait of a universal artist who reinvented the show and novel of a man who built, under a fictitious identity, an imaginary world, Bartabas, novel is also the narrative of a brotherly friendship.

Special issue of the magazine Connaissances Des Arts, dedicated to the Académie du Spectacle Equestre de Versailles - The Academy of Equestrian Arts.